Gran Torino: Movie Review

Walt Kowalski (Clint Eastwood) is an equal opportunity bigot. Blacks are spooks, his Hmong neighbors are fish heads, and his barber, who he likes, is a dumb Wop. Even so, Walt Kowalski may be Eastwood’s most likable and rooted for character since Dirty Harry.

"Get off my lawn."

As the movie opens, Walt is burying his beloved wife. He seems more annoyed that she left him alone with their ungrateful children and grandchildren than heartbroken. Walt is set in his ways and resists all attempts by his children to “make his life easier” read: move into a nursing home. He recognizes their true motives; to get their hands on his home and mint condition 1972 Gran Torino.

And they’re not the only ones. After his teenage neighbor, Tao Vang Lor (Bee Vang), unsuccessfully tries to steal his Gran Torino due to pressure by neighborhood thugs, Walt takes the shy boy under his wing. He teaches him a trade, how to stand up for himself, and how to get the girl. Their friendship at first seems an odd pairing. Walt is old-fashioned and set in his ways; as a Korean War veteran the American flag flies proudly outside of his Michigan home though he is obviously emotionally scarred by the things he did there, his postage stamp sized lawn is mowed frequently with an old-school push mower, it seems on the outset that he despises foreigners and change, and he drinks and drives American.

Eastwood and Vang

But Walt recognizes in Tao someone who wants to work hard and has a good spirit, which is more than he can say for his own family whom he seems offended by with their foreign cars and entitlement issues. He makes it his personal mission to see that Tao doesn’t fall to the pressure of a group of neighborhood thugs and that provides the movie’s real tension.

Clint Eastwood is known for casting talented newcomers and minorities in major roles, and at times it seems that he is the only one in this film with real acting experience, but it works with the character Tao who really comes off lost and in need of direction.

I was surprised by how funny, I mean laugh-out-loud funny, this movie is and it was all in Eastwood’s snappy lines, facial expressions, and growls. Not many actors his age could pull off the following line so believably. Said to a group of black guys harassing a young girl, “You know how every once in awhile you come across someone you shouldn’t have fucked with? That’s me.”

Don’t be surprised if this film doesn’t garner a few Oscar nods. Written and directed by Eastwood, Gran Torino is one of those rare films driven by story and character.